A group of six Bengalis ventured on a journey
like no other this June. Dipak Dutta, Samir Dutta, Amalendu Majumdar,
Subrata Mukherjee, Biswamay
Ray and Sujit Ray made a
pilgrimage to Mount Kailash in western Tibet.
After over four years of planning,
they embarked on the 21-day trip,
full of anticipation. Nothing they had
read or imagined prepared them
for their experiences traversing
the rugged terrain to the Himalayas.
They flew to Katmandu, Nepal which provides
access to Kailash 750km away via the Tibetan
high plateau and the southern Himalayas.
The initial leg of the trip took them by jeep
across a lush jungle rising sharply to 16,000 feet.
Moisture from the Bay of Bengal collides with this
wall, raining down to create landslides and waterfalls
every few hundred yards. While the travelers clutched
their seats, the expert drivers skillfully
maneuvered their caravan of five jeeps,
two supply trucks, 21 tourists, 7 drivers and 13 guides.
Reaching the Tibetan plateau, they suddenly found
themselves in a tree-less desert, buffeted by dust
and wind. Altitude sickness, freezing temperatures,
sun-burn due to the thin atmosphere, and the relentless
motion of the
car made these five days perhaps the most difficult
part of the journey.
Each night their sherpa guides pitched tents and prepared meals.
There are no bathrooms in this “frighteningly beautiful” land
and soon all normal habits, hygiene, and inhibitions were
stripped away, as the travelers hoped simply
to survive this arduous way from which there was no turning back.
Their pilgrimage reached a turning point as they reached Manasarovar,
the mountain lake fabled to be “the center of the universe” from
which emerges five great rivers. Immersing themselves in the freezing water,
each accepted this once in a lifetime experience in an uniquely personal way.
The next day they arrived at the Tibetan settlement of Darchen from where
they began trekking around Mount Kailash by foot, making the circuit known
as “parikram”. They trekked 10 hours per day, covering 40 km in three days,
reaching an altitude of 19,000 feet. The thin air made every step difficult.
For thousands of years, seekers have journeyed to this serene, timeless place.
Access to the region was stopped when China took over Tibet and was re-opened
in 1993. The trek was also made by Ananda and Krishna Chakrabarty a few years ago,
encouraging the present adventurers to turn their plans into reality.
“This was a boyhood dream come true,” said Subrota Mukherjee. “I remember seeing
documentaries when I was just a kid and never imagined I would go there one day.”
Even after years of research and preparation, every day presented them with something unexpected. For example, climbing down from Dolma Pass turned out to be more exhausting than going up due to the treacherous, uneven slope.
One day, they overcame weariness by seeing their camp in the distance, and anticipating food and rest. Reaching it at last they found that it was someone else’s camp. The severe conditions pushed them to the limits of their physical endurance.
Given what they now know, would they still have done it? Mr. Mukherjee reflects, “It can’t be described. It is difficult to explain how it feels to encounter this awesome challenge and to surprise yourself with what you are capable of doing.”
BAGC sponsored a presentation of “Sri Sri Ramkrishna” by the Union Minister of India, Ajit Panja, and his amateur drama troupe on May 16th. The play based on “Noti Binodini” gave a colorful view of Ramkrishna’s creative influence in the performing arts community and was enjoyed by a good turnout by the membership.
On June 24, BAGC presented an evening of dance by Mamata Sankar and her Calcutta troupe. The program, held at the North Shore Performing Arts Center, entertained a large audience of BAGC members and non-members.


Jhumpa Lahiri's collection of short stories, Interpreter of Maladies, was awarded
the 2000 Pulitzer Prize for Fiction.
The Bengali-American novelist won the prestigious US prize, edging out Ha Jin's Waiting and Annie Proulx's Close Range: Wyoming Stories.
The 84th annual awards were announced by the Pulitzer Prize board at Columbia University in New York on April 10.
Born in London in 1967, Lahiri came to the U.S. with her parents when she was 2 years old. She grew up in Rhode Island where her father teaches at a university and her mother works for the school system. She is a graduate of Barnard College in New York, where she received a BA in English literature, and of Boston University, where she received an MA in English, an MA in creative writing and an MA in comparative studies in literature and the arts, and a Ph.D in Renaissance studies.
She has taught creative writing at Boston University and the Rhode Island School of Design. She was a fellow at the Fine Arts Work Center in Provincetown, Cape Cod, and now lives in New York.
Lahiri attributes some of her stories to experiences visiting India. “I visited India frequently. I didn't experience the country as a tourist -- We didn't stay in hotels, we stayed with relatives. I didn't experience it as a native, either -- it's a middle position.”
She grew up like many second-generation Bengalis. “[My parents] were very involved with the Bengali community. I speak Bengali.”
She explains that her characters are a composite drawn from personal experiences and research.
“I don't think of writing about an idea or a given message. I just try to write a story (which is hard enough),” she says. She aspired to be a writer early on, and submitted articles for years before being noticed. She notes she was ready to wait a “long time” to gain recognition as a writer.
Table Tennis Results:
Youth: Champion: Neil Bhattacharya; Runner Up: Anuj Gangopadhyay
Women: Champion: Chandrima Roy; Runner Up: Sarmistha Banerjee
Mens: Champion: Saunak Basu; Runner Up: Aditya Das
Doubles: Champion: Debanshu Bhattacharya/Shouvik Roy; Runner Up: Dipu Mukherjee & Anirban Das
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Eminent literateur, novelist, exponent of 'Vandemataram'-mantra and one of the principals of the Bengali renaissance, Bankimchandra Chatto-padhya was born on June 26th, 1838, at Kanthalpara, a village about |
20 miles north of Calcutta. At age 19, Bankim was appointed Deputy Magistrate and Deputy Collector by the British Government. However, advancement in a government job was not Bankim's goal; he dedicated his life to pursue Bengali literature.
The year 1865 marked the turning point in Bankim's career. He was only 27 years old when his first novel- 'Durgeshnandini' came out. It was not only the first successful novel in Bengali, but also the first historical novel and the beginning of the classical style in Bengali literature. It was a historic moment, a landmark in Bengali literature. Its publication, immediately brought him fame, recognition and honor from the literary world of Bengal. Young and old alike got delighted to have such a wonderful book.
Bankim's literary works may be categorized into four distinct phases of which the first phase (1865-1869: 'Durgeshnandini', 'Kapalkundala', 'Mrinalini') was based on historic romance and it is thought by many critics that Bankim derived its inspiration from such European literary giants as Scott, Byron, Moore, Shakespeare, Wordsworth, etc. In fact he was at the time known as the "Scott of Bengal" for having initiated historical romance novels in Bengali.
In the second phase (1872-1877: 'Bishbriksha', 'Rajani', 'Krishnakanter Will') he moved away from historical romance to contemporary events of social life and its people; their joys and sorrows, love and despairs, their aspirations and frustrations. Human mind and its psychological conflicts and interpretations first found expression in Bankim's literature in this phase. 'Krishnakanter Will' is considered by many as Bankim's masterpiece.
Before Bankim, few people had read novel in Bengali, but he popularized the new form.
He launched and edited the news-paper 'Bangadarshan', an instant success. Particularly, one of its columns, 'Kamalakanter Daptar' mesmerized readers. Through 'Banga-darshan', he not only introduced people to different subjects, but also created a group of young writers. Bankim’s success as an editor and educator perhaps outshines his success as a novelist.
In the third phase, 1876 through 1884, we find Bankim in the role of a patriot inspiring his countrymen fighting for freedom through such novels as 'Anandamath', 'Debi Chowdhurani' and 'Sitaram'. The song 'Vande-mataram' which he composed in 1876 was inserted in 'Anandamath' in 1882. Rabindranath set the music to this song. In later years, 'Ananda-math' inspired freedom fighters all over India and 'Vandemataram' became the slogan of all independence movements throughout the country. Many fearless patriots mounted the gallows with 'Vandemataram' on their lips.
In the fourth phase, commencing in 1884 and continuing to the end of his life, Bankim was found to devote himself in explaining and interpreting 'Hinduism'. But it was not the prevailing form of 'Hinduism' with its idolatry and numerous rituals. It was his quest for eternal truth, his love for God; the ultimate destiny of human soul- its indestructiveness and transcendentalism. 'Krishna Charit' was one of the books he wrote on this topic. Bankim passed away in March 1894 at the age of 56.
With so much accomplished in such little time, it is no wonder his countrymen later referred to him as 'Rishi Bankim' (Sage Bankim).